![]() ![]() ![]() The internal search almost never gives the desired results. The internal App Library is worthless and groups apps together that don’t make sense. Flashlight and camera buttons are in a bad location and constantly turning on. Face ID and double tapping the side button to make a purchase is twice as stupid. To delete an app you have to tap three different times! Face ID is stupid about half the time so you’ll have to punch in your passcode. Constant bugs, requires way too much screen touching to get anything done. Through Ctrl, SZA sets herself free having realized that surrendering isn't always settling, that the demons and skeletons in the closet were, in fact, remarkably human all along.Bought the iPhone 13…worse iPhone in years. The idea of control is reconciled through acceptance-of her barefaced self, of others, of the love she's offering and the love they can't-rather than attempts to manipulate reality. On songs like “2AM,” “Tread Carefully,” and “Awkward,” as throughout the album, she duels with herself as often as she does her partners sometimes she's at peace with the mess of it all and then the tables turn and then turn again. The deluxe version, released on the fifth anniversary of the original, adds seven more, all packing an equal emotional punch. Whether she’s feeling empowered by her physicality on the Kendrick Lamar-assisted “Doves in the Wind” or wrestling with insecurity on “Drew Barrymore,” SZA’s songs impact quickly and deeply. It doesn’t prepare you for the inventively abstract production that follows-disembodied voices haunting the airy trap-soul of “Broken Clocks,” the stuttering video-game sonics of “Anything”-but it instantly establishes the emotive power of her rasping, percussive vocal. Until a late flurry of percussion arrives, doleful guitar and bass are SZA’s only accompaniment on opener “Supermodel,” a stinging kiss-off to an adulterous ex. It's at once deeply personal and profoundly universal, like an unlocked Tumblr with thousands of reposts spilling out in music form. The singer's debut examines what it looks like to own the narrative of your life and regain control simply by giving it up. Control is an illusion, but as SZA's mother suggests at the open and close of Ctrl, there's power in holding on to the illusion, even while acknowledging it as such. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |